From Chapter 2:
It may be noted, by the way, that the gallant had no hesitation about smoking in the presence of ladies. Gostanzo, in Chapman's "All Fools," 1605, says:

And for discourse in my fair mistress's presence
I did not, as you barren gallants do,
Fill my discourses up drinking tobacco.

And in Ben Jonson's "Every Man out of his Humour," 1600, Fastidious Brisk, "a neat, spruce, affecting courtier," smokes while he talks to his mistress. A feather-headed gallant, when in the presence of ladies, often found himself, like others of his tribe of later date, gravelled for lack of matter for conversation, and the puffing of tobacco-smoke helped to occupy the pauses.

When our gallant went to the theatre he loved to occupy one of the stools at the side of the stage. There he could sit and smoke and embarrass the actors with his audible criticisms of play and players.

From Chapter 3:
Tobacco's a musician,
And in a pipe delighteth,
It descends in a close
Through the organ of the nose
With a relish that inviteth.

These are merely a few examples of both the praise and the abuse which were lavished upon tobacco at this early stage in the history of smoking. It would be easy to fill many pages with the like testimonials and denunciations, especially the latter, from writers of the early decades of the seventeenth century. Perhaps the most curious thing in connexion with the immense number of allusions to smoking in the literature of the period is that there is no mention whatever of tobacco or smoking in the plays of William Shakespeare. As Edmund Spenser, in the "Faerie Queene," speaks of

From Chapter 9:
The following year he wrote to Coleridge—"What do you think of smoking? I want your sober, average, noon opinion, of it. I generally am eating my dinner about the time I should determine it. Morning is a girl, and can't smoke—she's no evidence one way or the other; and Night is so evidently bought over, he can't be a very upright judge. Maybe the truth is that one pipe is wholesome, two pipes toothsome, three pipes noisome, four pipes fulsome, five pipes quarrelsome, and that's the sum on't. But that is deciding rather upon rhyme than reason.... After all, our instincts may be best." It is clear from one or two references, that Lamb and Coleridge had been accustomed to smoke together at their meetings in early days at the "Salutation and Cat"—with less disastrous results to Coleridge, it is to be hoped, than those which followed his Birmingham smoke, as set forth in the preceding chapter.

From Chapter 2:
But the apothecaries were the most usual salesmen, and their shops and the ordinaries were the customary day meeting-places for the more fashionable smokers. The taverns and inns, however, were also filled with smoke, and taverns were frequented by men of all social grades. Dekker speaks of the gallant leaving the tavern at night when "the spirit of wine and tobacco walkes" in his train. On the occasion of the accession of James I, 1603, when London was given up to rejoicing and revelry, we are told that "tobacconists [i.e. smokers] filled up whole Tavernes."