From Chapter 10:
About 1842, when Tennyson often dined at the Old Cock (by Temple Bar) and at other taverns, the perfect dinner for his taste, says his son, was "a beef-steak, a potato, a cut of cheese, a pint of port, and afterwards a pipe (never a cigar)." When the Kingsleys paid the Tennysons a visit about 1859, Charles Kingsley, so the Laureate told his son, "talked as usual on all sorts of topics, and walked hard up and down the study for hours smoking furiously, and affirming that tobacco was the only thing that kept his nerves quiet." The late Laureate, Alfred Austin, once asked Tennyson, after reading a passage in Dorothy Wordsworth's "Journal" that William had gone to bed "very tired" with writing the "Prelude," if he had ever felt tired by writing poetry. "I think not," said the poet, "but tired with the accompaniment of too much smoking."

From Chapter 6:
At the Quarterly Meeting of Aberdeen Friends in 1692 a "weighty paper containing several heads of solid advyces and Counsells to friends" sent by Irish Quakers, was read. These counsels abound with amusingly prim suggestions. Among them is the warning to "take heed of being overcome with strong drink or tobacco, which many by custome are brought into bondag to the creature." The Aberdeen Friends themselves a little later were greatly concerned at the increasing indulgence in "superfluous apparell and in vain recreations among the young ones"; and in 1698 they issued a paper dealing in great detail with matters of dress and deportment. Among a hundred other things treated with minutest particularity, the desire is expressed that "all Idle and needless Smoaking of tobacco be forborn."

From Chapter 3:
The tobacco-tongs were more properly called ember-or brand-tongs. They sometimes had a tobacco-stopper riveted in near the axis of the tongs, and thus could be easily distinguished from other kinds of tongs. An example in the Guildhall Museum, made of brass, and probably of late seventeenth-century date, has the end of one of the handles formed into a stopper. In the same collection there are several pairs of ember-tongs with handles or jaws decorated. In one or two a handle terminates in a hook, by which they could be hung up when not required for use. In that delightful book of pictures and gossip concerning old household and farming gear, and old-fashioned domestic plenishings of many kinds, called "Old West Surrey," Miss Jekyll figures two pairs of old ember-or brand-tongs. One of these quite deserves the praise which she bestows upon it. "Its lines," says Miss Jekyll, "fill one with the satisfaction caused by a thing that is exactly right, and with admiration for the art and skill of a true artist." These homely tongs are fashioned with a fine eye for symmetry, and, indeed, for beauty of design and perfect fitness for the intended purpose. The ends which were to pick up the coal are shaped like two little hands, while "the edges have slight mouldings and even a low bead enrichment. The circular flat on the side away from the projecting stopper has two tiny engraved pictures; on one side of the joint a bottle and tall wine-glass, on the other a pair of long clay pipes crossed, and a bowl of tobacco shown in section." This beautiful little implement bears the engraved name of its Surrey maker, and the date 1795.

From Chapter 3:
A further witness to the prevalence of smoking and to the enormous number of tobacco-sellers' shops is Camden, the antiquary. In his "Annales," 1625, he remarks with curious detail that since its introduction—"that Indian plant called Tobacco, or Nicotiana, is growne so frequent in use and of such price, that many, nay, the most part, with an insatiable desire doe take of it, drawing into their mouth the smoke thereof, which is of a strong scent, through a pipe made of earth, and venting of it againe through their nose; some for wantownesse, or rather fashion sake, and other for health sake, insomuch that Tobacco shops are set up in greater number than either Alehouses or Tavernes."